The 115 focus makes a very concrete light, comparable with that of the focus 96. However the focus 115 has an even greater range of lightings between “Spot” and “Flood”: hard, soft and everything thats in between. With the foc...

The 115 focus makes a very concrete light, comparable with that of the focus 96. However the focus 115 has an even greater range of lightings between “Spot” and “Flood”: hard, soft and everything thats in between. With the foc...

The 115 focus makes a very concrete light, comparable with that of the focus 96. However the focus 115 has an even greater range of lightings between “Spot” and “Flood”: hard, soft and everything thats in between. With the foc...

The focus 140 provides a similarly detailed and crisp light as the focus 115. It is a real Allrounder. Good for portraits, but also for group shots and whenever space is of no relevance. His Inventor H.W. Briese, says of this reflector: “If you...

The focus 140 provides a similarly detailed and crisp light as the focus 115. It is a real Allrounder. Good for portraits but also for group shots and whenever space is of no relevance. His Inventor H.W. Briese, says of this reflector: “If you ...

The focus 140 provides a similarly detailed and crisp light as the focus 115. It is a real Allrounder. Good for portraits, but also for group shots and whenever space is of no relevance. His Inventor H.W. Briese, says of this reflector: “If you...

The focus 85 competes against the sun. Its light is gleaming the shadows deep, being almost like a downlight, but not quite as hard. The focus 85 is ideal for portraits that want to move, for example, sunglasses or summer cosmetics, in the best light...

The focus 180 makes the Briese-principle obvious. Fully focused it creates dramatic lighting with multiple screen differences between the centre and the edge of the picture. Almost like day and night. Perfect for strong accentuations. With just one s...

The focus 180 makes the Briese-principle obvious. Fully focused it creates dramatic lighting with multiple screen differences between the centre and the edge of the picture. Almost like day and night. Perfect for strong accentuations. With just one s...

The focus 85 competes against the sun. Its light is gleaming the shadows deep, being almost like a downlight, but not quite as hard. The focus 85 is ideal for portraits that want to move, for example, sunglasses or summer cosmetics, in the best light...