Briese Flood ensures an uniform light and hard shadows, even at small distances between light and object. The small size of the lamp makes it possible to hide it under the construction while shooting,for example, interiors or furniture. “Still&...

Compared to the “Beauty reflector” focus 77, the focus 100 creates a much more vigorous light. With the focus 100 you can sift out details, animate surfaces or accentuate wrinkles in weathered faces. Good for the illumination of larger sc...

The 115 focus makes a very concrete light, comparable with that of the focus 96. However the focus 115 has an even greater range of lightings between “Spot” and “Flood”: hard, soft and everything thats in between. With the foc...

The focus 140 provides a similarly detailed and crisp light as the focus 115. It is a real Allrounder. Good for portraits but also for group shots and whenever space is of no relevance. His Inventor H.W. Briese, says of this reflector: “If you ...

The focus 85 competes against the sun. Its light is gleaming the shadows deep, being almost like a downlight, but not quite as hard. The focus 85 is ideal for portraits that want to move, for example, sunglasses or summer cosmetics, in the best light...

The focus 85 competes against the sun. Its light is gleaming the shadows deep, being almost like a downlight, but not quite as hard. The focus 85 is ideal for portraits that want to move, for example, sunglasses or summer cosmetics, in the best light...

We have designed the Focus 330 as an ideal key light for big shootings. More and more often, however, it is used as a pure design object in music videos, television shows and corporate films. We ask ourselves: What are you going to do with “our...

The focus 44 is a multi-talent. Its very hard light ensures graphic images, with plenty of contrast. At the same time it is the ideal ( and only ) companion for a quick, but challenging VIP-Shooting. Because in just 10 minutes, the light is ready for...

Compared to the focus 44 the light of the focus 77 is way “softer” and ensures ultra-smooth harmonic progressions. Due to its soft reflective reflector-coatings it covers up some errors in the make-up and smoothes out wrinkles, without ap...

The focus 85 competes against the sun. Its light is gleaming the shadows deep, being almost like a downlight, but not quite as hard. The focus 85 is ideal for portraits that want to move, for example, sunglasses or summer cosmetics, in the best light...